a5c7b9f00b Five years after the battle against Gozer, a restraining order has forbidden Peter Venkman, Ray Stantz, Winston Zeddemore, and Egon Spengler from working as Ghostbusters, so they've found other jobs. Ray owns a bookstore, "Ray's Occult," and performs at children's birthday parties with Winston. Egon conducts experiments at the Institute For Advanced Theoretical Research. Dana broke up with Peter and married another man, and Peter Peter now hosts a local TV show, "The World of the Psychic". Dana, now the divorced mother of an 8-month-old baby named Oscar, works in the restoration department at the Manhattan Museum of Art. Strange things start happening when Oscar's baby carriage takes off by itself with him in it and it stops in the middle of 1st Avenue. While Dana's boss, Janosz Poha, is restoring a painting of a 16th-century tyrant named Vigo Von Homburg Deutschendorf, the painting comes to life. Vigo wants to live again by taking over Oscar's body. Vigo takes complete control of Janosz and orders Janosz to get Dana to cooperate. Janosz has his own agenda: he's in love with Dana. When Peter, Ray, and Egon try to help Dana, they are arrested and put on trial for violating the restraining order. When the ghosts of the killer Scoleri Brothers invade the courtroom, the judge is forced to remove the restraining order against the guys so they can put the Scoleri Brothers in a ghost trap. After this, Peter, Ray, Egon, and Winston re-open Ghostbusters, and mayor's assistant Jack Hardemeyer tries to slow them down however he can, because he believes that the Ghostbusters are frauds who will hurt the mayor's chances of becoming the governor of New York. The Ghostbusters and their lawyer, Louis Tully, refuse to be stopped by Jack. When Jack has the Ghostbusters put in the Parkview Mental Hospital, there is an eclipse and Janosz kidnaps Oscar for Vigo. The mayor wants the Ghostbusters on the job, and when the mayor hears that Jack had the Ghostbusters committed, he fires Jack and has the Ghostbusters released to try to rescue Oscar from Vigo, which Vigo intends to make as difficult as possible. The discovery of a massive river of ectoplasm and a resurgence of spectral activity allows the staff of Ghostbusters to revive the business. Although not in the same league, story and originality wise as the original, Ghostbusters 2 is still an entertaining enough sequel. The problem is though all the characters remain firmly as they were in the first film and the narrative seems to be recycling the original, so the sense of conflict is pretty underwhelming and your left with the feeling of deja-vu. Despite this and beyond the predictable melodrama, the film is creative in both incident and dialogue and although it does scrape the barrel for humour sometimes and Bill Murrey, as before, is given all the best lines, the special effects come through in the end and with what better way to top a giant Marshmellow Man than with a walking Statue of Liberty! <br/><br/>6/10 My major problem with this movie is the cover of the box. Where's Winston? He's a Ghostbuster, so why isn't he on the cover. Another problem is that he was barely written in the script. His character was never around unless they got in trouble. I'm not saying the Ghostbusters got in trouble because of him, but the fact that he wasn't around unless they got in trouble. I think it is total disrespect. Winston has always been my favorite Ghostbuster and for good reason too. He's not a scientist like the other three, but a working class individual that I can, as well as other people can, identify with.<br/><br/>My other problem was with how slow the movie started. There was not any action until about 40 minutes in the movie. The time before this was just implications and suspense building. That is all good, but for forty minutes? It becomes tiring. So by the time you find out what the movie's about, it's already ending.<br/><br/>Yes, this is a good movie, but should have included more of Winston, and excluding the prolonged build up of nothing. Ghostbusters II is babyboomer silliness. Kids will find the oozing slime and ghastly, ghostly apparitions to their liking and adults will enjoy the preposterously clever dialog. Five years after their near destruction of New York City after which they were sued until bankrupt and a restaining order placed on them that prevents them from working as Ghostbusters, Doctors Peter Venkman (<a href="/name/nm0000195/">Bill Murray</a>), Ray Stantz (<a href="/name/nm0000101/">Dan Aykroyd</a>), Egon Spengler (<a href="/name/nm0000601/">Harold Ramis</a>), and Winston Zeddemore (<a href="/name/nm0001368/">Ernie Hudson</a>), aided by their attorney Louis Tully (<a href="/name/nm0001548/">Rick Moranis</a>), finally convince a judge to lift the restraining order. Voila! The Ghostbusters are back in business and just in the nick of time as a massive river of "mood slime" is flowing through the abandoned Pneumatic Transit tunnels under Manhattan, and it appears that an ancient Carpathian sorcerer, Vigo Von Homburg Deutschendorf, (<a href="/name/nm0902455/">Wilhelm von Homburg</a>) wants to possess Dana Barrett's (<a href="/name/nm0000244/">Sigourney Weaver</a>) 8-month-old baby Oscar (<a href="/name/nm0222111/">William T. Deutschendorf</a> and <a href="/name/nm0222110/">Henry J. Deutschendorf II</a>). Ghostbusters II is the sequel to <a href="/title/tt0087332/">Ghost Busters (1984)</a> (1984), both of which were written by co-stars Dan Aykroyd and Harold Ramis. Ghostbusters II was subsequently novelized in 1989 by American scifi/mystery writer Ed Naha. "Mood slime" is pictured as pink ectoplasm and described as a psychoreactive substance that responds to human emotional states. In short, it feeds on bad vibes. It was not explicitly mentioned what the slime was made of. They do, however, imply the slime was "brought to life" by Vigo and powered by the general bad vibes of the New Yorkers. You could take from this that the slime was either created by "ghost-power" or that the slime started from something very small and absorbed various elements from its environment. It was eventually established in the 2009 video game <a href="/title/tt1142978/">Ghostbusters (2009)</a> that the slime was manufactured by a contraption created by Ivo Shandor, the Gozer worshiper. Dana only mentions that Oscar's father left her to play with orchestras in Europe. Fans have speculated that the father is Timothy Carhart's character from the original movie, the violinist that Venkman calls "the stiff." This isn't made clear in the movie. It may be that, through his father, Oscar is a member of some family or bloodline that makes him a distant relative of Vigo. Or perhaps Dana's experience being possessed in the original film may have somehow made her son ripe for possession himself. Of course, it is actually Janosz who selects Oscar, no doubt due to his feelings for Dana. Vigo simply requests "a child" and it is likely that he would have been just as satisfied with any other baby. With just four minutes to go until midnight, Dana watches helplessly as Vigo begins his transfer into Oscar's body. Suddenly, the torch-bearing arm of the Statue of Liberty crashes through the skylight, Dana grabs Oscar, interrupting the transfer, and the Ghostbusters rappel down. They shoot positively-charged slime all over Janosz (<a href="/name/nm0001493/">Peter MacNicol</a>) (who'll wake up feeling like "a million bucks"). Vigo immobilizes Dana and the Ghostbusters and materializes out of the painting. He picks up Oscar and prepares to possess his body. Meanwhile outside, Louis arrives in full ghostbusters attire, and the crowd begins singing "Auld Lang Syne" as he zaps the slime barrier with a proton stream. The positive energy causes the barrier to disintegrate and forces Vigo back into the painting. In desperation, Vigo takes over Ray's body, but the others cover him with positive slime, destroying Vigo. As they revel in all the positive energy, Winston notices that the painting of Vigo has been replaced with a scene showing the four Ghostbusters standing protectively around Oscar. "(Your Love Keeps Lifting Me) Higher and Higher" written by Jackie Wilson. 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